The Wider World & Scrimshaw

The Wider World & Scrimshaw takes the Museum’s scrimshaw collection (objects carved by whalers on the byproducts of marine mammals) and places it in conversation with carved decorative arts and material culture made by Indigenous community members from across the Pacific and Arctic. Native communities across Oceania, the Pacific, and Arctic have cosmologies related to whales, distinctive maritime traditions involving marine mammals, and vibrant carving styles. They were also impacted by commercial whaling ventures in the 1800s and the external pressures of colonialism and Western empire-building.

This interdisciplinary, community-driven, and collections-focused project engages questions about identity, place, and material, and considers how exploration and whaling impacted the production of material culture in this diverse region between 1700 and today. The exhibition showcases over three hundred objects, paying particular attention to ones that indicate cultural and material exchanges. How did whaling (internal or external) impact these different communities and their unique art forms – from New Bedford to Aotearoa to Utqiaġvik? In what ways do these legacies continue within contemporary art, communities, and cultures?

The exhibition considers different cultural products from Oceanic material culture and Arctic carvings to engraved sperm whale teeth. Organized in consultation with a diverse advisory board of artists, scholars, and culture bearers and in partnership with NBWM curators, this sweeping exhibition explores the rich cultural traditions, carving forms, and material exchanges that emerged in cultural contact zones across the Pacific world and continue to shape artistic practice and communities today.